from the editor
A Lovely Ride | Darra Goldstein
borborygmus
Rumblings from the World of Food
orts and scantlings
Flesh and Blood | Mark Morton
feast for the eye
A 1939 World’s Fair Souvenir Plate | Shax Riegler
poem
Calon Ségur 1945 | Michael Joyce
family history
Kieflies | Alison Kinney
gallery
Brighton Beach | Michael Friedman and Alexander Tochilovsky
history’s table
Marisa Mori’s Edible Futurist Breasts | Jennifer Griffiths
taste
Journey by Bottle: Uncovering the Allure of Guyanese Cassareep | Darrin DuFord
local fare
Simit: Turkey’s National Bread | Alisa Roth
investigations
Slush on the Mizzentops, Butter in the Hold: Food on American Clipper Ships | Andrew Beahrs
Solider of the Fork: How Nathaniel Newnham-Davis Democratized Dining | Andrea Broomfield
culture
A Kodava Wedding | Rohan Kamicheril
poem
Reason Number Four | Margaret Lincoln
religion
A Rat on the Plate: The Last Supper Window in Saint Mary’s Church, Warwick | Olivier Bauer
cuisine
Sudado de Raya: An Ancient Peruvian Dish | Robert Bradley
the natural world
The Tradescants’ Culinary Treasures | Amy L. Tigner
literary lives
James Bond and the Art of Eating Eggs | Elizabeth Hale
personal history
On the Zampone Trail | John F. Carafoli
temporality
Melancholy and Mourning: Black Banquets and Funerary Feasts | Jane Levi
photographs
Bibimbap | Toby Binder
ecology
A Born-Again Hog Farmer | Barry Estabrook
chef’s page
An Interview with Praveen Anand, Dakshin, Chennai, India | Vijaysree Venkatraman
review essay
Food, Service, and Play in Restaurant Culture | Jennifer Burns Levin
the bookshelf
Books in Review
lagniappe
Deep-Fried Gadgets | Henry Hargreaves
Cover: Richard Paul, 100s&1000s, © 2009. Courtesy of Theodore:Art, New York.
Regarding Olivier Bauers article “A rat on the plate”
When I was in Milan a few years ago I found a painting of The Last Supper also with a “rat” on the plate in front of Jesus. link: to my picture:
https://dl.dropboxusercontent.com/u/23663594/IMG_0445.JPG
It is in the San Maurizio Monastero Maggiore in Milan. I think some Luini painted this version and it is to be found on the same street as Da Vincis more famous Last supper.
Do you know about this painting? Does it clarify anything on your analysis in the text from the article?
Kind regards
Magnus Olofsson, Stenungsund, Sweden